….yeah. Despite what that banner says, we’re 3/4 of the way through Women in Horror recognition month and I’ve done nothing. Whoops :(
In lieu of me doing anything worthwhile about it, check out:
Official site: http://womeninhorrormonth.com/
Facebook page (updated regularly!)
The brilliant Day of the Woman blog
The ever-wonderful Lightning Bug’s Lair
And the fabulous Horror Digest
And there’s a whole tonne of other treats and goodies out there for you to find if you look around a bit!
Emily Booth has, on reflection got to be pretty much the coolest women in horror. There are precious few people who take horror and genre-films very seriously and fewer still who try to drag it kicking and screaming, bleeding and oozing, into the mainstream’s attention.
In this respect, we ought to forget about Emily Booth being one of the coolest women in horror. She is one of the coolest people in horror. I mostly know her from the sublimely awesome show Shock Movie Massacre. You could probably count the number of recent television programmes about genre film on the fingers of one hand. Perhaps even after several of your fingers were sliced off in a Hong Kong based revenge epic…
…can go somewhat awry.
February started well but suddenly it’s the 16th and I haven’t posted in nearly 2 weeks. Damn. That wasn’t meant to happen. All sorts of other things (real life!) got in the way for a bit; but there’ll be some good new posts up soon. I’ve promised a WomenInHorrow post on Emily Booth, I NEED to write about Birdemic (the world’s best worst film) and a whole host of other things I’ve watched.
For a first real Women in Horror Recognition Month post, I chose to watch Holly Dale’s Blood and Donuts. I’ll be honest; I only chose the film because it has a female director and female-directed feature-length horror is all too rare. I must admit that, going on only the title, I really wasn’t expecting much.
How wrong could I be?
Though I won’t pretend that this is absolutely essential viewing, this is a clever, fun, sensitive vampire film; sharing much more with thoughtful films like Interview With The Vampire and Let the Right One In than with Hammer’s neck-biting romps. At the heart of this film we have the indefinitely old vampire, Boya - a “humanist vampire” as we discover. Much like Brad Pitt/Louis in Interview With The Vampire, this leaves Goya to lead a less than glamorous life, munching on rats and pidgeons as privately as he can and trying not to court too much attention.
So, whether you knew it or not, February is Women in Horror Recognition Month. Yes if you’re in America it clashes with Black History month, but if you’re in/from the UK, you’ll know that Black History month is in October, right?
Anyway, Chopping Mall’s participation is going to be somewhat laid back, but shall definitely be participating. We’ll have posts about the fantastic Emily Booth coming soon, as well as a couple of reviews of Female-directed Horror films (a disturbingly rare occurrence).