The film I was most looking forward to of the Day of the Dead, if not the whole festival, is Korean breakout success Train to Busan. How could I not be interested in seeing a film billed as having breathed new life into the zombie genre? I was not disappointed. Train to Busan is a storming success of a film. Zombie films of recent years have tended to divide between the cheesy and funny, or the drama-set-against-a-backdrop-of-zombie snoozefest of the Walking Dead. So Train is refreshing in its simplicity.
Though there are plenty of laughs, there is thankfully little that is outright silly or slapstick. Instead we follow Seok Woo and his daughter onto a high speed train across the country. This is a neat touch – zombie films always have to create a sense of isolation, of being cut off from all the other people that might help and a train makes as good a scenario as a house, a pub or a plane (don’t judge me – I loved Zombies on a Plane).
Outside the world is collapsing. It seems the infection (more 28 Days Later than Dawn of the Dead) has spread like a… uh… plague of ferocious, incredibly fast zombies and engulfed several cities. On the train, things are little better. A single member of the infected has (obviously) found their way aboard and havoc ensues. We get all the usual classic zombie traits – suspicion and hate amongst the survivors as the humans turn on each other, relationships torn apart by zombie infection, false hopes of governmental intervention and smears of blood across the window. It doesn’t really break new ground but it ticks all the zombie movie requirements with such glee that it’s hard to fault it.
Top class zombie action – best new film of its kind I’ve seen in a while.
Five Points Pale. As before. Tasty enough and available from the bar under the town hall.