More shorts! This time with a fantasy edge, some of which were pretty dark!
All of these were decent, but some made a lot more impact than others. Roadside Assistance (dir: Bears Fonte) is the most slight of the lot. It’s a bit dark and gently funny but that’s about it. The Midnight Shift (IMDB) is dark tale of a robber’s night posing as a taxi driver. It’s neat, but nothing very surprising. The Call is more inventive – a policeman discovers his long-missing wife’s body on the beach and undergoes some curious transformations. Trailer here.
Here’s where it starts to get really good. The Man Who Caught a Mermaid is a good and disturbing story of an old fisherman obsessed with finding a mermaid. It beginning to tear at his marriage and his sanity. Excellent stuff. Even better is the super-creepy Pearlies about a ferocious tooth-fairy mouse terrorising a father and son as they clear out grandma’s old house.
Best of the lost though was The Frozen Eye. Bernard discovers a peephole from his flat into the room below. What starts as curiosity develops into obsession which develops into… well… let’s just say it had one of the most difficult to watch scenes of the festival. Ouch.